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How to Make It as a Professional Retoucher

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Photographer: You Bin; Makeup Artist: Theresa Francine; Retoucher: Pratik Naik

“People don’t to want to die, but everyone wants to go to Heaven.”

A quote uttered in college Algebra years ago by my professor. It was hot inside of the class and no one was paying attention. We all, of course just laughed it off as random garble. I can still remember looking around the room seeing everyone laugh, assuming he was joking like he always does. He was trying to invigorate us to study for our final. He was insisting that we had to pay our dues before we reached where we wanted. That moment I realized he wasn’t joking anymore.

For some reason, what he said that day in class stuck in my mind. In fact, I could argue that, that was the most memorable line that I remember any of my professors saying. The fact that it was probably dismissed and forgotten by everyone else makes me wonder who else may have remembered that.

When I first began my career, I learned first hand what it took to make it in this industry. I knew it was sacrifice and dedication, but after a while, those cliche statements tend to become watered down in their true potency of how much effort they require.

The main question people still ask me is how I became a retoucher, and what does it entail? Most people don’t realize that it’s more than sheer skill.

Although I have not made it to my ultimate goal, I can say that I have gone through enough to realize what it takes to become a successful retoucher. I wanted to briefly share with you regarding some traits I feel are absolutely necessary. This is not only to educate, but also shed a light on what you need to possess to make it.

Keep in mind, all of this is based on personal reflections and opinions. Everyone has a different viewpoint of the truth and what is accurate. Take it for what you will.

Overview

  • Business and marketing
  • Personality
  • Photography
  • Anatomy
  • Drawing
  • Manipulation
  • Talent
  • Education

Business and marketing

This is the most important aspect about being a retoucher, it trumps skill set and everything that follows. In the beginning, there is only you. You without help, just an idea of where you want to go in your mind. You won’t have an agent or business partner (at least for the most of us this is true). Being able to understand that you will play many roles, primarily that of a salesman and a marketer. You will have go out there and make sales and market yourself.

The one major advantage I have found from people who do not make it to the ones that do, is that the ones that make it are aggressive with their business and know how to market themselves. This is why these two go hand in hand. If you cannot maintain a presence, and book jobs, you will be cut out by people who do. Now, with the Internet, remember that anyone can pick up retouching —it costs nothing. You have to not only get jobs, but market yourself in a way that makes you stand out from the rest of the crowd. Having a business plan, and executing it step by step is the vitality in your business.

As Joel Grimes said, if you cannot pick up the phone, and make cold calls, you just won’t make it. Now, in this day, cold calls are probably equivalent to cold e-mails.

Networking

I consider this a subset of marketing. In this day, it’s absolutely vital to establish an online presence. The most successful up and coming people are engaged in networking to a degree that made me realize how serious it was. Blogging and social networking has given people a way to be found. You can’t expect people to know you exist unless you let them know you’re here! Facebook, Twitter, WordPress, Tumblr, Google+, and other such sites are here so we can take full advantage of them. Having and making connections is the key. It’s often who you know that can really get you to new heights.

Personality

Think of everyone you admire, look up to, or is successful. They are all characters. They have something about them that really makes them stand out. My friend, Natalia Taffarel for example, has a unique and distinct personality about her. If you know her and see what she posts or writes about, you can clearly make out how she differs from the rest. She is not just a person, she has become a brand. And part of a brand is personality. Yes, even though you’re behind a screen, part of your personality seeps into the the online realm as people get to know you.

The other aspect of personality is in regards to how well you get along with your clients and maintain relationships. When you work with your clients, it helps to have a great personality when working with them, one that reflects commitment, enthusiasm, and professionalism. No one wants to work with someone who is always negative and possesses terrible traits. You have to be approachable and personable.

Photography

When you’re working with photographers, it helps to know photography and lighting. Why? Let’s say you receive a set of files for a shoot, and you want to reshape lighting slightly in post. It helps to understand how it would look in real life before you guess at it. Another example is if you’re retouching a set for a submission and your client tells you that the file is not as sharp as you intended. You can look at the exif and see that one of the reasons is that they were not on the sweet spot of the lens they were using, or perhaps that their SS was too low. These are very negligible examples, of course, and the examples can go on forever. A lot of the times, when you can communicate in lingo and understand exactly what the photographer is saying, and actually tell him/her how to save money in post production just based on lighting suggestions or what to do on set physically, it gives you an added advantage. Also, many retouchers (I know I do) help on set and I can now double as an assistant and set up and tear down as needed. I can also help on set showing the photographer a few things on how to cut down time in post. You instantly become more valuable by doing these things There are countless examples, really. You should be able to think of many more.

Anatomy

This is basic. Have you seen those terrible Ralph Lauren ads?

If you understand anatomy, things like this do not happen. You can see lots more on: https://www.psdisasters.com

It really helps to understand how a body should look based on the way it bends, because you will know exactly what is going too far.

Drawing and art

The principles of art and drawing become a staple of talented retouchers. Their awareness of how light should be shaped, and how to execute the retouching process becomes vital. Studying art, allows you to get a grasp of studying the execution of retouching. In art, you’re forced to draw shadow and light around complex forms, and learn color values and how color and light differ and relate to each other. You study more than that, of course, but this is a mere example. Many of us have a background in fine art or some form of education on the basic principles of drawing and form. Shifting color and light is essentially what retouching is.

Manipulation

Now, more than ever, retouchers are not only expected to perfect skin and hair, but also manipulate images to an entirely new level which requires an advanced range of Photoshop skills. If you do not possess at least a basic understanding of Photoshop manipulation, you will lose jobs especially when they request for you to do basic things like adjust clothing or remove items all the way to compositing faces and new expressions from other files. It can get pretty intense, and more involved than described.

Talent

The word in itself is so abstract, defining the ability of aptitude or skill.

Of course, learning everything means nothing, without the ability to execute your knowledge in the real world. Everything I have described until now has been characteristics of knowledge, primarily. In the end, you have to have talent. I consider talent to be the level of detail in which you execute the knowledge given (by studying or by nature) to the task at hand. You must have some talent to make it. Even if it is a little. I say this because I have seen people who are talentless with a great business and marketing sense make it. On the other side, I have seem people with all the talent in the world and no business sense make it. But usually those that make it are people with more business skills coupled with at least a little bit of talent.

Education and innovation

Aside from knowing how to retouch, you need to constantly set aside time to educate what new tools and techniques are available on the market to help you stay ahead of the competition. You also need to be innovative and use these tools to come up with your own unique solutions that no one else knows. Setting yourself ahead of the competition in one way or another is key.

Conclusion

There is also a lot more included that are subsets of these items, such as accounting, time management, organization, cost of equipment, customer service, and so forth. You are essentially an entire office in one. There is a lot that meets the eye, spend time in doing more than honing your skills, but honing your business.

And finally, keep in mind that this is all based on personal opinion and what I felt was important. You may agree, disagree, or feel there is even more, and that is completely fine. As long as you’re prepared, that is the most important part of all.

Pratik Naik

Pratik Naik is a professional photo retoucher. He works with international and national photographers, art directors, agencies, and celebrities. Pratik specializes in both editorial and commercial work. http://www.solsticeretouch.com/ & http://solsticeretouch.tumblr.com/

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16 Responses to “How to Make It as a Professional Retoucher”

  1. May 02, 2017 at 2:22 am, Bhavik Solanki said:

    Thank you for sharing this great information. This information helpful and useful for people and good explanation in detail that helpful. This post helpful for me.

    Reply

  2. May 08, 2014 at 7:32 pm, Chris Abbamondi said:

    A Photo-Retoucher is definitely not a fraud. It is a unique skill set and is a time consuming craft to manipulate or “touch-up” images and photos. What people fail to realize is that the same techniques have been applied since the dawn of printed photographs! Whether you are a photo developer using chemical or a retoucher using digital programs, you’re both doing pretty much the same thing. That is to say “manipulating” a raw photo to create an aesthetically pleasing image to the artist’s personal tastes.

    I take personal offense to being labelled as a fraud. I’ve been using Photoshop for about 20 years. After all, a photograph or picture, sculpture, or any other piece of art is only perfect when the artist says it is. Why shun digital tools? That’s like saying an artist is cheating by using an eraser. I don’t know about anybody else, but I do know that as a photographer, retoucher, and artist, I would much rather have a photo of myself that removes any pimples, whitens my teeth, zaps out any unwanted blemishes, wrinkles, fly-away hairs, and other embarrassing elements so I look my best. That’s not being a fraud or hiding the truth, that’s just putting the best version of yourself forward. I’m talking about non-invasive retouching techniques, not extreme “shop” jobs that take a 300 model and make him/her look as if they just went through gastric bypass surgery or liposuction and dropped 150 lbs overnight! But even if that were the case, that doesn’t make the retoucher a fraud.

    Reply

  3. May 07, 2014 at 2:20 pm, Amanda said:

    Why are retouchers frauds? It takes talent to retouch a photo. Does this mean it takes no artistic talent to airbrush, too? Sure, if you want to get it right out of the camera, that’s great, that’s your style. But it’s like watching an Romanticist painter argue with a Realist painter back in the 18th Century. It’s kind of a boring argument if you ask me, like comparing apples and oranges…It’s just a difference in style, so don’t impose your artistic will on other artists… I think there’d be a whole lot more upset people (i.e. viewers, models, retouchers, photographers) if retouching weren’t available, and I think my argument is valid as can be.

    Reply

  4. May 14, 2013 at 12:26 pm, Lycaon said:

    retouchers arent frauds any more than any other artist. whats the difference between someone using photoshop or paint and brush? would you call van goh a fraud? they take a medium and create something from it, now one of the main differences from most painters and a retoucher is the retoucher is taking a picture from someone else that already exists and changing it but then again thats what a characture artist does. a good article though not what i was hoping for.

    Reply

  5. November 25, 2011 at 12:52 pm, The Fashionographer said:

    Retouchers shouldn’t be labelled as frauds.
    If anything we need to focus on the quality being produced by retouchers. In my opinion retouchers should have significant experience in photography, as well as having retouched their own photographs, so that they can make mistakes with their own work first, before attempting to impose their skills on the photographic community.
    Graphic designers on the other hand, should be weary before assuming the role of retouching without any photographic experience… There is good retouching and bad retouching. Fraudulent retouchers in my opinion are those without any knowledge in the field of photography with the aim of making a quick buck sans passion for the work that they do.

    Reply

  6. November 22, 2011 at 5:59 am, Retouchers are Frauds said:

    The population needs to be educated what is acceptable, so these frauds are ridiculed out of existence.

    Reply

  7. November 21, 2011 at 6:28 am, Genemoz said:

    You said that very well, and I agree!

    Reply

  8. November 20, 2011 at 7:53 pm, Anonymous said:

    Thank you all very much. I hope this article comes in handy to anyone who is considering the industry. And pay attention to what Neil has said below – he is on point.

    Reply

  9. November 19, 2011 at 9:13 pm, Belle Retouch said:

    Love this article! Thank you for sharing your view and experiences, Pratik!

    Reply

  10. November 19, 2011 at 5:56 am, Anonymous said:

    Good article. Thank you for your time and efforts to write it.

    Reply

  11. November 18, 2011 at 7:06 pm, Lulie Lens said:

    Great article indeed!

    Reply

  12. November 16, 2011 at 2:57 pm, Amy Dunn said:

    This is by far one of the best articles written on the MM Edu Library. Well done, Pratik.

    Reply

  13. October 25, 2011 at 8:48 am, Nick said:

    great read

    Reply

  14. October 12, 2011 at 1:48 am, Dee Desalu said:

    This is vital information for people in all industries. Great Article

    Reply

  15. October 11, 2011 at 8:34 am, Neil said:

    Nice Article. There is one major point missing or at least I didn’t see it. What Pascal Dangin does other than all of the above, is know what makes an image live. It’s not how well the skin is done, or the correct sharpness but is a total package about knowing what makes an image a cultural event. The more you know about the sphere in which the re-creation of images is intended the farther you can go into the heights of that utopia.
    It is also something that no tutorial will ever exist on as it cannot be described in words. Yet images retouched with these notions are the ones that do speak quietly but with elegance above all others.

    Reply

  16. October 10, 2011 at 4:32 pm, Chester said:

    Amen.

    There is way too much bad retouching out there.
    We have to tell the difference and most of all, show the difference.

    Everybody stay well,

    Chester.

    Reply

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